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Phil Collins ~ Oughta Know By Now


You oughta know by now that a man can't hold on forever, so why do you keep waiting here when you know it makes me want you more? You oughta know by now how it fells to be loved, so why d'you keep me hanging here, with this stone around my heart, dragging me down, down, down when all I'm trying to do is trying to get next to you, let me in, let me in. You oughta know by now or maybe someone should show you that a man needs to be loved and even in this man's world with you it don't come easy You oughta know by now that no man can sleep at night with a burning in his heart that would tear this man apart take me out of my misery, 'cos all I'm trying to do is trying to get next to you, let me in, let me in. You oughta know by now just how good it feels to be wanted, and no man could love you more, so why can't you show me something, just a little bit of something? You oughta know by now all the things a man has to do in his life, and all these things I do you know that I do it all for you, I do it all for you. 'Cos all I'm trying to do is trying to get next to you, yes all I'm trying to do is trying to get next to you. Let me in, let me in, Let me in your heart. more free lyrics

You oughta know by now
that a man can't hold on forever,
so why do you keep waiting here
when you know it makes me want you more?

You oughta know by now
how it fells to be loved,
so why d'you keep me hanging here,
with this stone around my heart, dragging me down, down, down

when all I'm trying to do is trying to get next to you, let me in, let me in.

You oughta know by now
or maybe someone should show you
that a man needs to be loved
and even in this man's world
with you it don't come easy

You oughta know by now
that no man can sleep at night
with a burning in his heart
that would tear this man apart
take me out of my misery,

'cos all I'm trying to do is trying to get next to you, let me in, let me in.

You oughta know by now
just how good it feels to be wanted,
and no man could love you more,
so why can't you show me something,
just a little bit of something?

You oughta know by now
all the things a man has to do in his life,
and all these things I do
you know that I do it all for you, I do it all for you.

'Cos all I'm trying to do is trying to get next to you,
yes all I'm trying to do is trying to get next to you.

Let me in, let me in,
Let me in your heart.

more free lyrics

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Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.

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When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.

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Music transcends languages - even if you don't understand the lyrics, you can still shed tears or dance. It transcends cultures - the drumbeats of Nigeria and the chants of Iceland coexist under the same sky. It transcends generations - a song from half a century ago can still bring tears to the eyes of today's young people.

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The future of global music is not determined by algorithms, nor is it monopolized by a few giants. It is shaped by every person who presses the play button. Maintain your curiosity, step out of your comfort zone. Support independent musicians and attend live performances. Seek connections through music - because we believe that a song can change a day, and music can change the world.

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